Purcell, Henry (1659-1695) | Masque of Might | Livret de Sir David Pountney |
Opera North | ||
Harry Bicket | Direction | |
Sir David Pountney | Mise en scène | |
Leslie Travers | Décors | |
Marie-Jeanne Lecca | Costumes | |
Paule Constable | Lumières | |
Orchestra of Opera North | ||
David Haneke | Vidéaste | |
Denni Sayers | Chorégraphie | |
Andri Björn Róbertsson | Basse | Nebulous, Activist, Wolf |
Anna Dennis | Soprano | Elena, Witch |
James Laing | Contre-ténor | Tousel Blond, Fox |
Patrick Terry | Contre-ténor | Strumpet Ginger |
Callum Thorpe | Baryton-basse | Diktat |
Xavier Hetherington | Ténor | Scrofulous, Toady, Seer, Saul |
Matthew Brook | Baryton-basse | Sceptic, Samuel |
Henry Purcell is arguably England’s finest composer of music for the stage before Benjamin Britten, yet he wrote only one opera, Dido and Aeneas.
Immortal masterpiece though that undoubtedly is, much of Purcell’s greatest dramatic music is to be found in the ‘semi-operas’, masques and other entertainments that were popular in his time, such as The Fairy Queen.
Taking inspiration from the masque – the 17th Century equivalent of a variety show in its mix of song, dance and spectacle – Sir David Pountney has skilfully assembled a thoroughly modern entertainment that showcases some of Purcell’s best music written for – but now rarely heard in – the theatre. Drawing largely on the original texts set to music by Purcell, this witty, incisive and fantastical work addresses urgently topical themes – the abuses of a powerful political leader and the gathering climate crisis.