Puccini, Giacomo (1858-1924) | Il tabarro | Livret de Giuseppe Adami |
Puccini, Giacomo (1858-1924) | Suor Angelica | Livret de Giovacchino Forzano |
Puccini, Giacomo (1858-1924) | Gianni Schicchi | Livret de Giovacchino Forzano |
La Monnaie | De Munt | |||
Alain Altinoglu | Direction | ||
Tobias Kratzer | Mise en scène | ||
Rainer Sellmaier | Décors, Costumes | ||
Bernd Purkrabek | Lumières | ||
Orchestre Symphonique de La Monnaie | |||
Chœur de La Monnaie | |||
Manuel Braun | Vidéaste | ||
Marie Mergeay | Dramaturgie | ||
Alberto Moro | Chef de chœur | ||
Chœurs d’enfants et de jeunes de La Monnaie | |||
Benoît Giaux | Chef de chœur | ||
Ouri Bronchti | Direction | ||
Il tabarro | |||
Peter Kálmán | Baryton | Michele | |
Corinne Winters | Soprano | Giorgetta | 2022 mars 20 mat, 29, avril 03 mat, 09 |
Lianna Haroutounian | Soprano | Giorgetta | 2022 mars 15, 17, 23, 26, 31, avril 06 |
Adam Smith | Ténor | Luigi, Un amoureux | |
Roberto Covatta | Ténor | Tinca | |
Giovanni Furlanetto | Basse | Talpa | |
Annunziata Vestri | Mezzo-soprano | La Frugola | |
Maxime Melnik | Ténor | Un venditore di canzonette (un vendeur de chansons) | |
Benedetta Torre | Soprano | Une amoureuse | |
Suor Angelica | |||
Corinne Winters | Soprano | Suor Angelica | 2022 mars 20 mat, 29, avril 03 mat, 09 |
Lianna Haroutounian | Soprano | Suor Angelica | 2022 mars 15, 17, 26, 29, 31, avril 06 |
Raehann Bryce-Davis | Soprano | La zia principessa (La tante princesse) | |
Elena Zilio | Mezzo-soprano | La badessa (L'Abbesse) | |
Annunziata Vestri | Mezzo-soprano | La suora zelatrice (La sœur zélatrice) | |
Tineke Van Ingelgem | Soprano | La maestra delle novizie (La Maîtresse des novices), La suora infermiera (La sœur infirmière) | |
Benedetta Torre | Soprano | Suor Genovieffa | |
Annelies Kerstens | Soprano | Suor Osmina | |
Raphaële Green | Mezzo-soprano | Suor Dolcina, Sœur bavarde 2 | |
Karen Vermeiren | Soprano | Première sœur quêteuse | |
Marta Beretta | Mezzo-soprano | Sœur quêteuse 2 | |
Emma Posman | Soprano | Sœur bavarde 1, Una novizia (Une novice) | |
Gianni Schicchi | |||
Peter Kálmán | Baryton | Gianni Schicchi | |
Benedetta Torre | Soprano | Lauretta | |
Adam Smith | Ténor | Rinuccio | |
Elena Zilio | Mezzo-soprano | Zita | |
Roberto Covatta | Ténor | Gherardo | |
Karen Vermeiren | Soprano | Nella | |
Luca Dall'Amico | Basse | Betto di Signa | |
Giovanni Furlanetto | Basse | Simone | |
Gabriele Nani | Basse | Marco | |
Tineke Van Ingelgem | Soprano | La Ciesca | |
Roberto Accurso | Baryton | Maestro Spinelloccio, Ser Amantio di Nicolao | |
Kurt Gysen | Basse | Pinellino | |
Lukas Cortoos | Basse | Guccio |
‘In theatre, there are certain fixed laws: to captivate, to surprise and move, or to make people laugh.’ Giacomo Puccini honours his own code by bringing all those elements together in a single work, Il trittico, which is made up of three one-act operas.
Finding the right librettos was not easy, but one month after the end of the First World War, his triptych – the grim tragedy Il tabarro, the lyrical and sensitive Suor Angelica, and the comedy Gianni Schicchi – premiered in New York. Three different eras, three different settings, three different ‘colours’; though for Puccini, it is through the contrasts between them that the unity of the work is revealed. For his second time directing at La Monnaie, Tobias Kratzer preserves the original order of the pieces, while weaving them together to form a narrative whole, like a circle with no end. With a cast of artists from the extended La Monnaie family, Alain Altinoglu is the ideal conductor to meet the daunting challenges posed by this triptych.