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A potent concoction: Macbeth is ETO's hit of the season
A fine cast, orchestra and production make English Touring Opera's new production of Verdi's Macbeth a must see.
Flogging a dead horse: a new Salome at English National Opera
ENO's new production of Salome which opens the season features some commendable music-making, but is let down by a flawed concept and dull staging.
Time to say goodbye: Moonlight /The Last Seed
Two strongly atmospheric pieces create and hold a dreamy, intensely imaginative note on which to finish Tête à Tête for 2015.
Mild palpitations only in Eichberg’s ‘operatic thriller’ Glare
An operatic thiller? Can such a thing exist? With an edgy score, Søren Nils Eichberg’s opera Glare tries hard to convince, at least initially.
Opening night of The Firework-Maker's Daughter at the Linbury Studio Theatre
This week the Linbury Studio Theatre attracted an audience of the more minute variety with its dazzling production of The Firework-Maker’s Daughter. Based on Philip Pullman’s novel, the two-act opera transported its listeners into the realms of the Far East with papery costumes, Indonesian shadow puppetry and hand-crafted pyrotechnics.
The Opera Group: Babur in London at Sadler's Wells
Babur in London is the latest production from pioneering opera company The Opera Group, and it provided a thought-provoking evening. A collaborative venture between British-born composer Edward Rushton and New Delhi-based librettist Jeet Thayil, the new work has already toured Switzerland, and arrived in London following dates in Basingstoke, Oxford, Leeds and Birmingham.
