Critiques récentesEn voir plus...
Mascagni's Le maschere struggles to take flight in Wexford opener
Excellent singing, an amusing production and lively staging showcases Mascagni's Le maschere in the best possible light at Wexford Festival Opera.
Erlanger's L'Aube rouge a damp squib at Wexford Festival Opera
Erlanger's fractured and clichéd opera isn't helped by confused direction, although soprano Andreea Soare is nothing short of magnificent as the heroine.
High on Cherubino: Kušej’s drugged-up Figaro in Salzburg
Martin Kušej gives Mozart and Da Ponte's commedia per musica a sinister mafia setting, which is low on laughs but outstandingly performed, led by Lea Desandre's charismatic Cherubino.
Tosca am Theater an der Wien in der radikalen Lesart von Martin Kušej
Martin Kušej zeigt eine gewalttätige, kunst- und religionsbefreite Tosca, die zum Nachdenken anregt.
Excellent revival of Claus Guth's Saul at Theater an der Wien
“How Excellent.” The first words sung in Handel’s Saul are in praise of God and were first uttered in a performance nearly three centuries ago. But they apply equally to Claus Guth’s interpretation of the work staged by Theater an der Wien.