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Bloodhoof: an Icelandic fable reconsidered in New York
The unfolding of the tale was beautifully unhurried, made all the more effective by not being an updating. Underscoring connections to the current day wasn’t necessary. The contemporary reverberations were apparent.
Teatro Nuovo sheds new light on bel canto’s beginnings
Maestro Crutchfield carefully underlined the transitional character of the music, neither Classical nor Romantic.
Two Gordon Getty operas get the Masterpiece Theatre treatment
Two charming operas featured splendid singing in a haze of choreography, staging and projections in a setting that had the feel of being live in a surround sound movie theater.