Critiques récentesEn voir plus...
Davidsen and Stemme anchor an extraordinary Jenůfa in Chicago
Claus Guth's production foregrounds the regimented, repressive world that drives the plot of Janáček’s tragic masterpiece.
Don Carlo doesn't find his place in Madrid
Sir David McVicar's unassuming production fails to engage with the political side of Verdi's masterpiece, despite good conducting by Nicola Luisotti and some good singing by a solid cast.
Don Carlo y las cruces del Teatro Real
Monumentalidad y grandes voces encienden la nueva temporada del Teatro Real.
On the Rake: Stravinsky at Oper Frankfurt
A largely newly cast revival of The Rake's Progress takes a while to catch fire, but when it does the results are devilishly good.