Critiques récentesEn voir plus...
Déception aux Schubertiades de Schwarzenberg
Certainement ne manquait-il qu’une adhésion commune, une complicité partagée malgré les efforts et les tentatives des trois artistes. La magie n’était définitivement pas au rendez-vous cette après-midi…
Zeiten(w)ende: Der Rosenkavalier erstmals an der Volksoper Wien
Das Experiment „Wiener Rosenkavalier II“ ist dank Josef Ernst Köpplingers Erfolgsinszenierung definitiv geglückt.
The bright side of the moon: Frau Luna at the Volksoper
You may not know too much about Berlin operetta, but even when you’re not a native German, chances are high that you know Berlin’s unofficial anthem “Berliner Luft”, or “Berlin Air”. Chances are that you can also sing and dance along to waltzes and non-military marches whose choruses go “Luft, Luft, Luft” or “mop, mop, mop”.
Albert Lortzing's Der Wildschütz returns to the Volksoper
Under the headline “Why Lortzing?”, the evening’s programme lists 20 reasons by Lortzing biographer Jürgen Lodemann why this composer should not be forgotten, including the fact that Lortzing’s operas were the most-performed in Germany for about 150 years.
