Critiques récentesEn voir plus...
From rags to riches through feathers and glitters
The myth of Pygmalion and Galatea brings us back to the very start of the ballet tradition with Jean-Philippe Rameau’s one act opera-ballet of 1748.
Eifman Ballet in a strangely psychological Pygmalion Effect
Eifman has said he wants move dance back into theater and to use movement to explore the psychological. Both of these the company accomplishes.
Giselle at the time of Communism: Boris Eifman’s Red Giselle
Opening this short Saison Russe in Berlin is Boris Eifman’s most iconic ballet, Red Giselle, a skilful tribute of the choreographer to the great Russian ballerina Olga Spessivtseva.
Eifman Ballet: Tchaikovsky Pro et Contra
TCHAIKOVSKY, PRO ET CONTRA is a ballet by Boris Eifman that beautifully examines how Tchaikovsky's internal struggles inspired his amazing music that inspires still.
Eifman: Up and Down
Eifman Ballet is back in London with Boris Eifman's latest ballet, Up and Down
Eifman Ballet's Rodin
The energy exuded from The Eifman Ballet in Rodin was enough to light – and keep burning – the Olympic torch. At the Alexandrinsky Theatre, St Petersburg.