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Artiste: Brad Fields

Critiques récentesEn voir plus...

A triumphant Romeo and Juliet from Philadelphia Ballet

Thays Golz and Zecheng Liang of Philadelphia Ballet in Romeo and Juliet by Juliano Nunes © Alexander Iziliaev
Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.

American Ballet Theatre's double bill is short and sweet in New York

Herman Cornejo and Skylar Brandt in Raymonda: Grand Pas Hongrois © Steven Pisano
American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

A spectacular triple bill lifts ABT’s spring season in New York

Devon Teuscher in George Balanchine's Mozartiana © The George Balanchine Trust. Nir Arieli
A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

ABT's Theme and Variations delivers star quality performances

Chloe Misseldine and Joe Won Ann in Have We Met?! by Juliano Nuñes © Steven Pisano
American Ballet Theatre presented a well balanced program of Nuñes, Ratmansky and Balanchine which produced some revelatory performances.

Empty calories: Ratmansky's Whipped Cream is sweet but slight

Breanne Granlund and Daniil Simkin in Whipped Cream © Kyle Froman
American Ballet Theatre kicks off its fall season with Ratmansky's culinary creation based on the two-act 1924 ballet, originally created as Schlagobers

Send in the clowns: Alexei Ratmansky revives Harlequinade

A lovingly reproduced historical reconstruction, but is it enough to connect with modern Australian audiences?