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Daniel Carter; Lorenzo Fioroni; Deutsche Oper Berlin; Paul Zoller; Katharina Gault; Orchester der Deutschen Oper Berlin; Chor der Deutschen Oper Berlin
Critiques récentesEn voir plus...
Tannhäuser au Deutsche Oper : tout avait pourtant si bien commencé...
Mis en scène par Kirsten Harms, Tannhäuser s'avère inégal. Se distinguent Ante Jerkunica (en Landgrave royal) et Camilla Nylund, formidable dans sa double interprétation de Venus/Elisabeth.
New Meistersinger succeeds musically despite the muddled production
Set in a 1930s music school, Sergio Morabito, Jossi Wieler and Anna Viebrick's new production of Die Meistersinger von Nürnberg at Deutsche Oper Berlin has some inspirational ideas but they often get in the way of the music.
Schreker's Der Schatzgräber: a rewarding treasure hunt in Berlin
Christof Loy unearths hidden treasure with an opera by Franz Schreker long since buried after taking Europe by storm in the 1920s.
Deutsche Oper revives Stölzl's Rienzi staging
Staging the story of the Italian political figure Rienzi as that of a dictator in 20th-century Germany was an inspired idea. This revival was a rare occasion to experience Wagner's early opera.
Catherine Naglestad's splendid Salome at Deutsche Oper Berlin
Deutsche Oper Berlin's Salome was a mixed blessing: a magnificent Catherine Naglestad as the heroine, with good ensemble of singers and orchestra, but a thoughtful but far-fetched psychological interpretation.
Imaginative Tannhäuser at Deutsche Oper Berlin
The production was interesting but at times distracting, but the musical performances triumphed.