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MacerataNabucco
Verdi: Nabucco
Fabrizio Maria Carminati; Paul-Emile Fourny; Orchestra Filarmonica Marchigiana; Coro Lirico Marchigiano "Vincenzo Bellini"; Ariunbaatar Ganbaatar; Anastasia Bartoli
MacerataIl barbiere di Siviglia
Rossini: Il barbiere di Siviglia (Le Barbier de Séville)
Gianluca Martinenghi; Daniele Menghini; Orchestra Filarmonica Marchigiana; Coro Lirico Marchigiano "Vincenzo Bellini"; Ruzil Gatin; Marco Filippo Romano
MacerataIl trovatore
Verdi: Le Trouvère
Dmitri Jurowski; Francisco Negrín; Orchestra Filarmonica Marchigiana; Coro Lirico Marchigiano "Vincenzo Bellini"; Franco Vassallo; Marta Torbidoni
MacerataCarmina Burana
Orff: Carmina Burana
Orchestra Filarmonica Marchigiana; Ramón Tebar; Sara Blanch; Ruzil Gatin; Grisha Martirosyan; Coro Lirico Marchigiano "Vincenzo Bellini"
Critiques récentesEn voir plus...
Il trovatore proves a masterpiece even without staging
In a reduced concert performance of Il trovatore the drama unfolds with the force of music alone.
Macerata's Don Giovanni: a yellow cab to hell
Livermore's staging implies two different storylines – do we only see the result of Don Giovanni's hallucinations?
Svoboda’s “Traviata of the Mirrors” returns to Macerata
Svoboda’s mirrors continue to provoke interesting considerations. Titled above the stage, they project a birds-eye-view of the action to the audience, making voyeurs of us all.
L'elisir d'amore finds an ideal setting at Macerata
With unbridled imagination, Michieletto fills this usually-problematic space with a wealth of racy detail.
Vick's new Magic Flute opens the Macerata festival
The Magic Flute's roots in popular theatre come through most strongly throughout Vick's production, which sparkles with a wealth of witty detail. But treatment of the work's socio-political undercurrents doesn't work nearly as well.