Bachtrack logo

Artiste: Désirée Giove

Live EventsEn voir plus...

ParisMitridate, re di PontoVersion de concert

© Markus Gärder
Mozart: Mitridate, re di Ponto, K87 (K74a)
Francesco Corti; Kammerorchester Basel; Ian Koziara; Francesca Pia Vitale; Chiara Skerath

DrottningholmL'incoronazione di Poppea, SV 308Nouvelle production

Listing filler
Monteverdi: L'incoronazione di Poppea (Le Couronnement de Poppée), SV 308
Francesco Corti; Benjamin Lazar; Christer Nilsson; Alain Blanchot; Christophe Naillet; Drottningholm Theatre Orchestra

NaplesAidaVersion de concert

Listing filler
Verdi: Aida (Aïda)
Riccardo Frizza; Teatro di San Carlo; Orchestra del Teatro di San Carlo; Coro del Teatro di San Carlo; Anna Netrebko; Jonas Kaufmann

VienneMitridate, re di PontoVersion de concert

Listing filler
Mozart: Mitridate, re di Ponto, K87 (K74a)
Francesco Corti; Kammerorchester Basel; Ian Koziara; Francesca Pia Vitale; Chiara Skerath
Critiques récentesEn voir plus...

Werther revived at San Carlo: an anatomy of emotional isolation

Caterina Piva (Charlotte) and Francesco Demuro (Werther) © Luciano Romano

Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.

Laurent Pelly’s Falstaff passes the Naples test with flying colours

Luca Salsi (Falstaff) © Luciano Romano
The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice. 

Ennio Morricone’s only opera, Partenope, finally premiered in Naples

Ennio Morricone's Partenope © Luciano Romano
Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images. 

San Carlo’s Medea a clash of worlds in a neoclassical framework

Sondra Radvanovsky (Medea) © Luciano Romano
A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.

Martone's modern Rigoletto returns with power and flaws to La Scala

Fabrizio Beggi (Monterone), Regula Mühlemann (Gilda) and Amartuvshin Enkhbat (Rigoletto) © Brescia e Amisano | Teatro alla Scala

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing.