Critiques récentesEn voir plus...
A brilliant new Salome launches Zurich Opera's season
Andreas Homoki's staging takes full advantage of Hartmut Meyer’s utterly spectacular set, while Elena Stikhina sings the difficult title role to perfection.
Last Rites: Puccini meets Stravinsky in Leeds
A daring double bill from Opera North and Phoenix Dance Theatre pairs Jeanguy Saintus' new choreography for The Rite of Spring with a revival of Christopher Alden's production of Gianni Schicchi.
Satan, sex, blood and redemption: Faust in Finland
Auguin conducted as if he really believes in this evergreen work, which was wonderful to hear in the composer’s rather overlooked anniversary year.
AVA’s memorable "L'Elisir d'Amore" with outstanding tenor Diego Silva
Though most of Gaetano Donizetti’s operas are not well known, Donizetti wrote dozens of them – many of the silly variety. L’Elisir d’Amore is one frothy work that not only survived, but continues to be performed around the world – frequently. L’Elisir d’Amore has a formulaic storyline: it’s war time (pick a war, any war). A lonely boy falls for a very pretty girl.
Opera Phila’s ‘Carmen’ Easy to Love
Some operagoers contend that Carmen, the fatalistic gypsy doomed to die, is unlikable. She antagonizes other women at the cigarette factory. She seduces men with abandon. She makes an inexperienced corporal of the guard fall for her, manipulates him into abandoning his military career for a life of smuggling, and then heartlessly turns him out like a pesky stray.
