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Artiste: Erika Grimaldi

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AucklandOpera in Concert: Madama ButterflyVersion de concert

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Puccini: Madama Butterfly
Giordano Bellincampi; New Zealand Opera; Auckland Philharmonia; New Zealand Opera Chorus; Erika Grimaldi; Gaston Rivero

EdimbourgVerdi’s A Masked Ball

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Verdi: Un bal masqué
Gianandrea Noseda; Adele Thomas; Zurich Opera; Hannah Clark; Franck Evin; Chœur de l’Opéra de Zurich

New YorkLa bohème

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Puccini: La bohème
Daniele Rustioni; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Gil Wechsler; The Metropolitan Opera Orchestra
Critiques récentesEn voir plus...

Un Requiem profané aux Chorégies

Requiem bien peu vibrant aux Chorégies d'Orange. La Messe des morts de Verdi paralysée entre une image omniprésente et une qualité musicale insuffisante. 

Primat der Musik: Verdis Un ballo in maschera am Opernhaus Zürich

Charles Castronovo (Riccardo), George Petean (Renato) und Katharina Konradi (Oscar) © Herwig Prammer
Gianandrea Noseda, ein leidenschaftlicher Verdi-Kenner, bringt die unterschiedlichen musikalischen Sphären des Stücks brillant zum Klingen. Die Regisseurin Adele Thomas findet für den schicksalhaften Gang der Handlung ein schlüssiges Symbol. 

Requiem opens the APO's miniature Verdi Festival

Erika Grimaldi, Olesya Petrova, Gustavo Porta, Petri Lindroos and chorus © Adrian Malloch
An excitingly theatrical Verdi Requiem under Giordano Bellincampi, benefitting greatly from a mostly stunning line-up of solo singers.

Falstaff in Turin: elegant, but with little mass

Renzetti's traditional rendition does not reveal yet unprecedented details of a score that is the summation of Verdi's mastery and his last work – his third based on Shakespeare.

An orthodox Pagliacci stands alone in Turin

The second part of the traditional Cav & Pag double bill on stage at Turin's Teatro Regio

Hellfire and damnation in Verdi's Requiem, London

Gianandrea Noseda leads a fiery account of Verdi's “opera in ecclesiastical garb” to open the LSO's new season.