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BuxtonAmadigi di Gaula
Haendel: Amadigi di Gaula
Erin Helyard; Olivia Fuchs; Buxton Festival Opera; Eleanor Bull; Ben Pickersgill; The English Concert
SydneyCoffee and a Dead Canary
Bach, Telemann
Orchestra of the Antipodes; Erin Helyard; Warwick Doddrell; Veronique Bennett; Ariana Ricci; Nicholas Jones
SydneySemele
Haendel: Semele
Erin Helyard; Neil Armfield; Pinchgut Opera; Alexander Berlage; Orchestra of the Antipodes; Cantillation; Eugene Lynch
WellingtonMessiah
Haendel: Le Messie
New Zealand Symphony Orchestra; Erin Helyard; The Tudor Consort
Critiques récentesEn voir plus...
Superb musical performances in Pinchgut’s Scarlatti rarity in Sydney
As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio?
Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen
A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney.
Stunning acrobatics, a forlorn farewell: Dido and Aeneas in Sydney
Yaron Lifschitz mesmerises from the opening tableaux’s row of candles in his Purcell staging for Opera Australia, featuring Circa, a Brisbane-based circus company.
Julius Caesar – or some of it – from Pinchgut Opera
Handel's Giulio Cesare is heavily abridged in Sydney, but generally well-performed musically, albeit with a rather awkward staging by Neil Armfield.
Faithful to Handel: Pinchgut Opera performs Theodora
Pinchgut Opera presents magnificent music and a timeless ethical debate on faith versus sectarian difference.
A streamlined, dramatic Rinaldo from Pinchgut
Although abbreviated, Pinchgut Opera's production of Handel's Rinaldo makes a powerful dramatic impact and exemplifies high musical values, with excellent orchestral playing and consistently fine singing.
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SydneyWomen of the Pièta
Vivaldi, Galuppi
Orchestra of the Antipodes; Erin Helyard; Miriam Allan; Carla Blackwood; Dorée Dixon; Cantillation