Critiques récentesEn voir plus...
Ariadne in Milan: the director cannot find the thread
Frederic Wake-Walker sticks to a vapid pop-parody that demeans the intellectual message of Strauss' Ariadne auf Naxos.
No protests required: Deborah Warner's Fidelio returns to La Scala
Chung's mastery of orchestral colour and texture came into its own, the brooding introduction to Act 2 making for a harrowingly apocalyptic representation of tyranny.
Demons and angels: Der Freischütz at La Scala
Hartmann's staging takes a bizarre twist in the end since so far the staging had followed the naïve story very faithfully without any weird implications.