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Artiste: Evan LeRoy Johnson

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PragueLa traviata

Prague National Theatre
Verdi: La Traviata
Jiří Štrunc; Arnaud Bernard; Prague National Theatre Opera; Anna Pozidis; Alessandro Camera; Maria Carla Ricotti; Patrick Méeüs

PragueRusalka

Prague National Theatre
Dvořák: Rusalka
Anna Pozidis; Prague National Theatre Opera; Ondrej Olos; Prague State Opera Orchestra; Prague State Opera Chorus; Olga Busuioc

PragueCarmen

© Hana Smejkalova
Bizet: Carmen
Zbyněk Müller; Grischa Asagaroff; Prague National Theatre Opera; Rastislav Štúr; Luigi Perego; Daniel Tesař

PragueIdomeneo, re di Creta

Prague National Theatre
Mozart: Idomeneo, re di Creta
Konrad Junghänel; Calixto Bieito; Prague National Theatre Opera; Richard Hein; Anna-Sofia Kirsch; Paula Klein; Reinhard Traub
Critiques récentesEn voir plus...

Willis-Sørensen headlines a successful Arabella revival at the Met

Rachel Willis-Sørensen (Arabella) © Marty Sohl | Met Opera
The Metropolitan Opera revives Otto Schenk’s venerable staging of Strauss’s intimate melodrama. 

Calixto Bieito’s Idomeneo runs out of time in Prague

Evan LeRoy Johnson (Idomeneo) and the State Opera Chorus © Serghei Gherciu
At the Prague State Opera, Calixto Brieito relocates Mozart's opera seria to modern times, with disastrous results. 

Eugene Onegin revival fails to find the magic spark in Toronto

Andrii Kymach (Onegin) and Lauren Fagan (Tatyana) © Michael Cooper
Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic. 

Cherubini’s Medea falls flat in Prague

Arnheiður Eiríksdóttir (Neris) and Svetlana Aksenova (Medea) © Petr Neubert
The challenges of Cherubini’s version of the Greek tragedy prove too much for the National Theatre to overcome.

Sulimsky and Grigorian grip Salzburg as the murderous Macbeths

Asmik Grigorian (Lady Macbeth) and Vladislav Sulimsky (Macbeth) © SF | Bernd Uhlig
Krzysztof Warlikowski’s ghoulish production has the Macbeths’ killing spree spring from their infertility.

Verdis tiefgründiger Otello bei den Münchner Opernfestspielen

Arsen Soghomonyan (Otello) und Ailyn Pérez (Desdemona) © Wilfried Hösl
Amélie Niermeyers Inszenierung von Verdis Spätwerk fasziniert im unaufgeregt fokussierten Blick auf die Charaktere des Tragödienspiels.