Critiques récentesEn voir plus...
Haymarket Opera treats Chicago to compelling Baroque brotherly love
In a rare performance of Charpentier’s David et Jonathas, Jory Vinikour leads a small ensemble to the heights of religious art music.
Breath and soul: Bach’s eloquent oboe at the Seattle Bach Festival
In ‘The Eloquent Oboe’, Tekla Cunningham and colleagues draw out the quiet drama in solo Bach cantatas – where the oboe’s sigh becomes the soul’s own speech.
Aufs Korn genommen: Lampes The Dragon of Wantley beim Musikfest Bremen
In der Lachmuskeln strapazierenden Inszenierung formationseigenen Gilbert Blins gelingt dem BEMF ein Opernspaß, der es absolut verdient, vermehrt sein fantastisches Unwesen treiben zu dürfen.
Boston Early Music Festival strikes again with a knockout Octavia
Once again, the BEMF brings a Baroque opera back to life. Reinhard Keiser’s 1705 Octavia is exceptionally well sung, adroitly staged, designed and danced, with impeccable musicianship.