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Artiste: Imelda Drumm

Critiques récentesEn voir plus...

Gore and psychotic desire: INO stages a magnificent Salome

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Bruno Ravella's production features excellent singing from its principals in Dublin, but it is Sinéad Campbell-Wallace who shines as the eponymous heroine. 

Surrealist and convincing: William Tell at Irish National Opera

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Chavaz's post-modern mythological approach to Rossini's neglected opera Guillaume Tell pays off with some glorious singing from the principals and the INO Chorus. 

An Aida that strips away the Egyptian iconography

Michael Barker-Caven sets Aida in a 21st-century war zone in the Middle-East, allowing the audience to focus on the human drama.