Critiques récentesEn voir plus...
Savoring the glories of a timeless all-Balanchine program with NYCB
NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.
NYCB's Andrew Veyette passes the torch with grace
A joyful, very gracious finale for a highly respected and loved principal dancer at NYCB. Andrew Veyette bows out with dignity and humility.
Falling for Kyle Abraham, again, at New York City Ballet
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
NYCB: some great debuts in All Ravel program
NYCB presents five short pieces to the music of Maurice Ravel in a bill that showed off some promising debuts.
NYCB: Justin Peck revisits the familiar in Mystic Familiar
New York City Ballet deliver an enjoyable, diverse, if occasionally predictable triple bill with revivals of works premiered last season.
New York City Ballet dancers revel in a double scoop of Robbins
Two masterworks by Jerome Robbins, Brandenburg and A Suite of Dances, are joined by Wheeldon's steamy After the Rain and Ratmansky's Paquita challenge.