Critiques récentesEn voir plus...
Savoring the glories of a timeless all-Balanchine program with NYCB
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NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.
NYCB's Andrew Veyette passes the torch with grace
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A joyful, very gracious finale for a highly respected and loved principal dancer at NYCB. Andrew Veyette bows out with dignity and humility.
Falling for Kyle Abraham, again, at New York City Ballet
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When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
