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Artiste: Jack Swanson

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ParisLe Barbier de Séville

© Agathe Poupeney | OnP
Rossini: Il barbiere di Siviglia (Le Barbier de Séville)
François López-Ferrer; Damiano Michieletto; Opéra national de Paris; Jader Bignamini; Paolo Fantin; Silvia Aymonino; Fabio Barettin

BarcelonaLa clemenza di Tito

© No credit
Mozart: La clemenza di Tito (La Clémence de Titus)
Jordi Savall; Sir David McVicar; Gran Teatre del Liceu; Bettina Neuhaus; Jenny Tiramani; Jennifer Tipton; Le Concert des Nations

GenèveLe Voyage à Reims (Il viaggio a Reims)Nouvelle production

© GTG / Ronald Curchod
Rossini: Il viaggio a Reims
Jader Bignamini; Laurent Pelly; Grand Théâtre de Genève; Massimo Troncanetti; Marco Giusti; Orchestre de la Suisse Romande

BarcelonaDie Zauberflöte

© No credit
Mozart: La Flûte enchantée (Die Zauberflöte)
Josep Pons; Marcos Morau; Gran Teatre del Liceu; Max Glaenzel; Silvia Delagneau; Bernat Jansa; Orquesta Sinfónica del Gran Teatre del Liceu

NaplesLa Cenerentola

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Rossini: La Cenerentola (Cendrillon)
Speranza Scappucci; Damiano Michieletto; Teatro di San Carlo; Paolo Fantin; Agostino Cavalca; Alessandro Carletti; Orchestra del Teatro di San Carlo

New YorkRouvali Conducts Carmina burana

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Vasks, Orff
New York Philharmonic; Santtu-Matias Rouvali; Vadim Gluzman; Sarah Dufresne; Jack Swanson; Lucas Meachem
Critiques récentesEn voir plus...

Le Così couci-couça de David Hermann et Duncan Ward à Strasbourg

David Hermann a la bonne idée d'inscrire l'opéra mozartien au temps des crises majeures du premier XXe siècle, mais la machine à jouer finit par tourner à vide et la distribution peine à s'épanouir.

Rockabilly meets Rossini: Cinderella at Lyric Opera of Kansas City

Jack Swanson (Don Ramiro) and Siphokazi Molteno (Angelina) © Andrew Schwartz
Michael Shell's sparkling new production of La Cenerentola, built locally, opens the season at the Lyric Opera Kansas City. 

Rossini Opera Festival’s clever pairing of first and last laughs

Paola Leoci (Fannì), Ramiro Maturana (Norton), Jack Swanson (Edoardo Milfort) © Amati Bacciardi

Rossini’s first staged opera, La cambiale di matrimonio, in a spirited production by Laurence Dale, paired with his late work Les soirées musicales in a successful performance.

Pizzi’s elegant, black and white Barbiere convinces again in Pesaro

Andrzej Filończyk (Figaro) © Amati Bacciardi

Rossini’s most famous masterpiece returns to Pesaro in Pier Luigi Pizzi’s beloved production, with a solid cast. 

Il signor Bruschino in Pesaro: silly farce, but musical masterpiece

A successful new production of the maestro’s opera buffaat the Rossini Opera Festival with a solid cast led by Marina Monzó.  

Bangs and whimpers: Cal McCrystal directs Le Comte Ory at Garsington

Garsington Opera's new production of Rossini's comic masterpiece is a bawdy hoot, but humour aside it features an ensemble who provide first-class bel canto singing.