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MunichUn ballo in maschera
Verdi: Un bal masqué
Marco Armiliato; Johannes Erath; Bayerische Staatsoper; Heike Scheele; Gesine Völlm; Joachim Klein; Bayerisches Staatsorchester
SavonlinnaThe Marriage of Figaro
Mozart: Les Noces de Figaro (Le nozze di Figaro)
Andrea Sanguineti; Johannes Erath; Katrin Connan; Birgit Wentsch; Savonlinna Opera Festival Orchestra; Savonlinna Opera Festival Choir
MilanFaustNouvelle production
Gounod: Faust
Daniele Rustioni; Johannes Erath; Teatro alla Scala; Heike Scheele; Gesine Völlm; Fabio Antoci; Orchestra del Teatro alla Scala
Francfort-sur-le-MainAlcina
Haendel: Alcina
Julia Jones; Johannes Erath; Oper Frankfurt; Kaspar Glarner; Joachim Klein; Frankfurter Opern- und Museumsorchester
BerlinManon LescautNouvelle production
Puccini: Manon Lescaut
Bertrand de Billy; Johannes Erath; Staatsoper Berlin; Kaspar Glarner; Birgit Wentsch; Olaf Freese; Staatskapelle Berlin
BerlinManon Lescaut
Puccini: Manon Lescaut
Bertrand de Billy; Johannes Erath; Staatsoper Berlin; Kaspar Glarner; Birgit Wentsch; Olaf Freese; Staatskapelle Berlin
Critiques récentesEn voir plus...
A hole in the heart: Johannes Erath’s new Elektra grips Tokyo
The New National Theatre Tokyo season ends with a powerful new production of Richard Strauss’ Elektra featuring an impressive house debut by Estonian soprano Aile Asszonyi.
Les Arts entra pisando fuerte con un Faust absurdista e iconoclasta
Brillante inicio de curso en Les Arts y triunfo de Lorenzo Viotti en su debut español.
Waiting for Kurtág: Fin de partie receives Berlin premiere
Director Johannes Erath and conductor Alexander Soddy bring György Kurtág's first and only opera to the Staatsoper Unter den Linden, starting the year with a dash of Beckett.
Anastasia Bartoli a regal Ermione at the Rossini Opera Festival
The ROF presents a new production of Ermione, a title not often performed, with a star-studded cast including divo Juan Diego Flórez.
Freitag, der Dreizehnte celebrates Schoenberg at the Reaktor
What do you get for the composer who made – and also kind of broke – everything? Arnold Schoenberg’s well-documented phobia of the number 13 aside, he could not have asked for a superior tribute in his 150th anniversary year.
Puccini and Bartók nightmares at the Teatro dell’Opera in Rome
Michele Mariotti and Johannes Erath lead us into the caverns of Il tabarro and Bluebeard’s Castle with two stories of violence against women
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DüsseldorfMaría de Buenos Aires
Piazzolla: María de Buenos Aires
Mariano Chiacchiarini; Johannes Erath; Deutsche Oper am Rhein; Katrin Connan; Jorge Jara; Nicol Hungsberg; Düsseldorfer Symphoniker