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BirminghamThe Nutcracker
Tchaïkovski: Casse-Noisette
Sir Peter Wright; Lev Ivanov; Vincent Redmon; Birmingham Royal Ballet; John Macfarlane; David Finn
ParisLa Clémence de Titus
Mozart: La clemenza di Tito (La Clémence de Titus)
Harry Bicket; Willy Decker; Opéra national de Paris; John Macfarlane; Hans Toelstede; Orchestre de l'Opéra national de Paris
LondresLondon City Ballet: Firebird – A Double Bill
Schubert, Stravinsky
John Neumeier; Glen Tetley; London City Ballet; John Macfarlane; David Finn
New YorkTosca
Puccini: Tosca
Oksana Lyniv; Sir David McVicar; Metropolitan Opera; John Macfarlane; David Finn; The Metropolitan Opera Orchestra
RungisFirebird – A Double Bill, London City Ballet
Schubert, Stravinsky
John Neumeier; Glen Tetley; London City Ballet; John Macfarlane
MassyFirebird – A Double Bill, London City Ballet
Schubert, Stravinsky
John Neumeier; Glen Tetley; London City Ballet; John Macfarlane
Critiques récentesEn voir plus...
Le Vaisseau fantôme à Québec : pour l’œil avant tout
La première du nouveau Vaisseau fantôme au Festival d'opéra de Québec charme par la proposition scénique originale de François Girard mais déçoit beaucoup sur le plan vocal et orchestral.
London City Ballet: a double bill of exceptional poignancy
London City Ballet are back on at Sadler’s Wells in an intriguing double bill comprising John Neumeier’s Ghost Light and Glen Tetley’s Firebird. The company is looking stronger than ever.
A new Albrecht makes a polished Giselle shine even brighter
A last minute injury to Natalia Osipova does not mar the magic of Sir Peter Wright's Giselle as Marianela Núñez steps in to partner Patricio Revé.
The RB: Peter Wright’s Giselle is as near perfection as you can get
Sir Peter Wright’s Giselle was given a well-deserved, thunderous ovation on opening night. A near perfect rendition of the ballet from all quarters of the Company was deeply satisfying.
BRB’s The Nutcracker at the Royal Albert Hall is at its best
Sir Peter Wright’s beautiful Nutcracker ticks every box with Birmingham Royal Ballet at the Royal Albert Hall.
Jones’ wicked Hänsel und Gretel returns to the Bayerische Staatsoper
Even without a gingerbread house, there’s enough wickedness in Richard Jones’ staging of Humperdinck’s opera for sweet tooths to savour.
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ParisLa Clémence de Titus
Mozart: La clemenza di Tito (La Clémence de Titus)
Harry Bicket; Willy Decker; Opéra national de Paris; John Macfarlane; Hans Toelstede; Orchestre de l'Opéra national de Paris