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ParisLa Clémence de Titus
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Mozart: La clemenza di Tito (La Clémence de Titus)
Harry Bicket; Willy Decker; Opéra national de Paris; John Macfarlane; Hans Toelstede; Orchestre de l'Opéra national de Paris
YorkFirebird – A Double Bill, London City Ballet
Stravinsky, Schubert
Glen Tetley; John Neumeier; London City Ballet; John Macfarlane
BathFirebird – A Double Bill, London City Ballet
Stravinsky, Schubert
Glen Tetley; John Neumeier; London City Ballet; John Macfarlane
LondresLondon City Ballet: Firebird – A Double Bill
Schubert, Stravinsky
John Neumeier; Glen Tetley; London City Ballet; John Macfarlane
New YorkTosca
Puccini: Tosca
Oksana Lyniv; Sir David McVicar; Metropolitan Opera; John Macfarlane; David Finn; The Metropolitan Opera Orchestra
SydneyThe Nutcracker
Tchaïkovski: Casse-Noisette
Lev Ivanov; Sir Peter Wright; Vincent Redmon; The Australian Ballet; John Macfarlane; David Finn; Opera Australia Orchestra
Critiques récentesEn voir plus...
Le Vaisseau fantôme à Québec : pour l’œil avant tout
La première du nouveau Vaisseau fantôme au Festival d'opéra de Québec charme par la proposition scénique originale de François Girard mais déçoit beaucoup sur le plan vocal et orchestral.
A new Albrecht makes a polished Giselle shine even brighter
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A last minute injury to Natalia Osipova does not mar the magic of Sir Peter Wright's Giselle as Marianela Núñez steps in to partner Patricio Revé.
The RB: Peter Wright’s Giselle is as near perfection as you can get
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Sir Peter Wright’s Giselle was given a well-deserved, thunderous ovation on opening night. A near perfect rendition of the ballet from all quarters of the Company was deeply satisfying.
BRB’s The Nutcracker at the Royal Albert Hall is at its best
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Sir Peter Wright’s beautiful Nutcracker ticks every box with Birmingham Royal Ballet at the Royal Albert Hall.
Jones’ wicked Hänsel und Gretel returns to the Bayerische Staatsoper
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Even without a gingerbread house, there’s enough wickedness in Richard Jones’ staging of Humperdinck’s opera for sweet tooths to savour.
The Magic Flute returns in triumph to the Royal Opera House
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Sir David McVicar's classic staging of The Magic Flute, now over 20 years old, shines afresh in a stylish performance conducted by Marie Jacquot, making her Covent Garden debut.
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ParisLa Clémence de Titus
Loading image...
Mozart: La clemenza di Tito (La Clémence de Titus)
Harry Bicket; Willy Decker; Opéra national de Paris; John Macfarlane; Hans Toelstede; Orchestre de l'Opéra national de Paris