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Les virages manqués d'Arabella à l’Opernhaus de Zurich
La mise en scène de Robert Carsen reste trop littérale et la direction de Markus Poschner trop anguleuse pour la comédie lyrique de Strauss.
Zwischen Gut und Böse: Andreas Homokis Les Contes d'Hoffmann in Zürich
Andreas Homoki schafft mit seiner Neuinszenierung ein psychologisch raffiniert konstruiertes Gesamtkonzept.
Astrid Kessler nails the title role in Arabella in Zurich
Using the Nazi regime as his Leitmotif, Canadian director Robert Carsen brings Richard Strauss’ Arabella to the Zurich stage.
A florid perversity: Barrie Kosky fires up Die Gezeichneten in Zurich
Barrie Kosky’s production of Franz Schreker’s Die Gezeichneten (The Branded) is in keeping with what was long considered one of the early 20th century’s most scandalous works.
Holliger’s new Lunea: pages from a poet’s Life
Heinz Holliger’s Lunea, which recently premiered at the Zurich Opera House, is “not an opera”, or so the ground-breaking Swiss composer contends.
Simplicity the key to new Butterfly in Zurich
Apparently, the composer himself was a notorious cheater, we can assume that some of the unsavoury themes of his 1904 opera “Madame Butterfly” were close to the bone.