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Few signs of heat in a mixed bill at New York City Ballet
New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.
Savoring the glories of a timeless all-Balanchine program with NYCB
NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.
New York City Ballet: Midsummer comes early, uneven yet thrilling
Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.
Falling for Kyle Abraham, again, at New York City Ballet
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
NYCB: some great debuts in All Ravel program
NYCB presents five short pieces to the music of Maurice Ravel in a bill that showed off some promising debuts.
New York City Ballet dancers revel in a double scoop of Robbins
Two masterworks by Jerome Robbins, Brandenburg and A Suite of Dances, are joined by Wheeldon's steamy After the Rain and Ratmansky's Paquita challenge.