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Artiste: Lauren Fagan

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LondresAdriana Mater

© ENO
Saariaho: Adriana Mater
André de Ridder; Annilese Miskimmon; English National Opera; Rosanna Vize; Evie Gurney; Lee Curran; English National Opera Orchestra

LiverpoolBeethoven 9: Ode to Joy

© Gareth Jones
Beethoven
Royal Liverpool Philharmonic Orchestra; Domingo Hindoyan; Lauren Fagan; Stephanie Maitland; Ed Lyon; Roderick Williams

TorontoCosì fan tutte

Listing filler
Mozart: Così fan tutte
Johannes Debus; Atom Egoyan; Canadian Opera Company; Debra Hanson; Michael Walton; Canadian Opera Company Orchestra
Critiques récentesEn voir plus...

Opera Australia’s Eugene Onegin shines musically

Andrei Bondarenko (Onegin) and Lauren Fagan (Tatyana) © Keith Saunders
Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary. 

Eugene Onegin revival fails to find the magic spark in Toronto

Andrii Kymach (Onegin) and Lauren Fagan (Tatyana) © Michael Cooper
Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic. 

Triple triumph: Il trittico opens at Opera Australia

Lauren Fagan (Suor Angelica) © Keith Saunders
A fine ensemble cast brings Puccini's triptych of one-acters to the Sydney Opera House stage, with stand-out performances from Lauren Fagan, Viktor Antipenko, Simon Meadows and Angela Hogan.

Nina Stemme stars in an unforgettable Elektra in Baden-Baden

Nina Stemme (Elektra) © Monika Rittershaus
The Baden-Baden Easter Festival presents an extraordinary performance of Elektra, with Nina Stemme in the title role and the Berliner Philharmoniker, led by Kirill Petrenko, in a stark and modern production. 

Impressive Royal Opera debut by Ruzan Mantashyan in Bohème revival

Ruzan Mantashyan (Mimì) © ROH | Camilla Greenwell
The Armenian soprano sweeps all before her in a delightfully controlled, touching performance, enhanced by a voice that would melt the stoniest of hearts. 

Was solls denn nun bedeuten? Götterdämmerung am Opernhaus Zürich

Freya Apffelstaedt (Erste Norn), Lena Sutor-Wernich (Zweite Norn) und Giselle Allen (Dritte Norn) © Monika Rittershaus
Auch im vierten Teil von Wagners Tetralogie Der Ring des Nibelungen bleiben Dirigent und Regisseur ihren Ansätzen treu. Alles bleibt scheinbar gleich wie bisher, und dennoch gibt es Überraschungen.