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Artiste: Marc Happel

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HambourgNeue Welten

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Daugherty, Copland
Edvin Revazov; Justin Peck; Hamburg Ballett; Nathan Brock; Verena Hemmerlein; Brandon Stirling Baker

New YorkEclectic NYCB III

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Moretti
Jerome Robbins; Alysa Pires; Mauro Bigonzetti; New York City Ballet; Marc Happel; Mark Stanley; New York City Ballet Orchestra
Critiques récentesEn voir plus...

New York City Ballet: Pithoprakta makes a long-awaited Earth landing

Mira Nadon and Davide Riccardo in George Balanchine’s Pithoprakta © Erin Baiano
An interesting mix of rarely seen and frequently revived Balanchine ballets at New York City Ballet.

NYCB: Ratmansky’s The Naked King is not satire, but good fun

David Gabriel, KJ Takahashi and Daniel Ulbricht in Alexei Ratmansky's The Naked King © Erin Baiano
New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

Few signs of heat in a mixed bill at New York City Ballet

Mira Nadon and Chun Wai Chan in Justin Peck's Heatscape © Erin Baiano
New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.  

NYCB's Sara Mearns charts her next act?

Sara Mearns in Guillaume Côté's Don't Go Home © Steven Pisano
New York City Ballet's Sara Mearns proves that she is a natural contemporary dancer in a self-curated double bill.

NYCB: Ballets that dance themselves?

Mira Nadon and Gilbert Bolden III in George Balanchine's Concerto Barocco © Erin Baiano
The final performance at NYCB’s fall season was the best one. One has to have just pure admiration for this company, its dancers, its history, its future.

NYCB: 75th anniversary program is an appealing, popular nod to history

Joseph Gordon in George Balanchine's Orpheus © Erin Baiano
New York City Ballet marked its 75th anniversary with the same triple bill that caused so much excitement at City Center in 1948: Orpheus, Concerto Barocco and Symphony in C.