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VienneOrchestra Lorenzo da Ponte
Vivaldi, Tartini, Haendel, Corrette
Orchestra da Camera "Lorenzo Da Ponte"; Roberto Zarpellon; Venice Monteverdi Academy Choir; Giovanni Andrea Zanon; Selina Ott; Silvia Frigato
BarcelonaTe Deum
de Lalande, Haendel, Pärt
Le Concert des Nations; Lluís Vilamajó; Jaia Niborski; Anna Piroli; Lara Morger; David Tricou
ParisJordi Savall / Le Concert des Nations
de Lalande, Haendel, Pärt
Le Concert des Nations; Jordi Savall; La Capella Nacional de Catalunya; Jaia Niborski; Anna Piroli; Lara Morger
ZurichTe Deum
Delalande, Haendel, Pärt
Le Concert des Nations; Jordi Savall; Jaia Niborski; Anna Piroli; Lara Morger; David Tricou
Critiques récentesEn voir plus...
Cestis Il pomo d’oro in Innsbruck: wer ist die Schönste im Olymp?
Cestis Festoper aus dem Jahr 1668 erlebte in Innsbruck eine glanzvolle Wiederaufführung. Ottavio Dantone hat zwei verschollene Aufzüge rekonstruiert, seine Accademia Bizantina spielt umwerfend, Fabio Ceresa zeigt opulentes Barocktheater.
Neorealist nostalgia: Monteverdi’s Ulisse in post-war Sicily
Davide Livermore creates a successful production of Il ritorno d’Ulisse in patria at the Monteverdi Festival in Cremona, with a great cast led by Mauro Borgioni.
Vivaldi's Farnace finally reaches Ferrara
Vivaldi's opera Farnace presents a basically insoluble problem: how to produce a more or less complete version. While this is not solved by the Ferrara production, it is strong musically and enjoyable.
Turin's Orpheus does not ascend to Heaven
In the Teatro Regio's production everything is according to the script, but the magic of the stage is absent.
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TurinPelléas et MélisandeVersion de concert
Debussy: Pelléas et Mélisande
Juraj Valčuha; Orchestra Sinfonica Nazionale della Rai; Sandrine Piau; Guillaume Andrieux; Paul Gay