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Eugene Onegin revival fails to find the magic spark in Toronto
Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic.
The Metropolitan Opera performs a revelatory, original Boris Godunov
Forget Rimsky-Korsakov, forget the Polish act... Stephen Wadsworth's new production for The Met returns to Mussorgsky's original 1869 version of his Russian historical epic.
A modern staging for Atlanta Opera's Carmen
General and Artistic Director Tomer Zvulun unleashes an unending flow of creativity and originality in The Threepenny Carmen.
Pagliacci takes to the Big Top in Atlanta
The Atlanta Opera presents a superior live production of Leoncavallo's Pagliacci to a masked, socially distanced audience.
Aleksandra Kurzak impresses as the Met’s new Violetta
Michael Mayer’s colorful and busy production of La traviata returned to the Met with a triumphant performance of the title role by soprano Aleksandra Kurzak.
A missed opportunity but with great musical values
The Metropolitan Opera's new produdtion of Rusalka fails to explore a deeper complexity of the fairy tale, although a strong ensemble of singers and the superb Met Orchestra make it a musically compelling performance.