Critiques récentesEn voir plus...
A misshapen pearl and a dead canary in Pinchgut Opera’s latest venture
Pinchgut Opera always has a lot to offer, but this time their delivery proves patchy in ‘Coffee and a Dead Canary’.
Superb musical performances in Pinchgut’s Scarlatti rarity in Sydney
As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio?
Baroque opera resurrected at Pinchgut: Legrenzi's Giustino
Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.
Laurels for Pinchgut Opera's Loves of Apollo and Dafne
Love comes in 57 varieties in Cavalli's Apollo and Dafne, and they're both enjoyed and suffered by a dynamic cast of six playing 20 characters.
Pinchgut takes on Il ritorno d'Ulisse in patria
Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.
Disconnected dégustation: Pinchgut Opera's Rameau
Historically informed rarities from Rameau and Vinci aim to recreate the world of 18th-century opera-going in Paris. But a misaligned production distracts from this specialised experience.