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Artiste: Michael Yeargan

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CooperstownMadama Butterfly

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Puccini: Madama Butterfly
Joseph Colaneri; Francesca Zambello; Glimmerglass Opera; Michael Yeargan; Anita Yavich; Robert Wierzel; Glimmerglass Festival Orchestra

SydneyRigoletto

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Verdi: Rigoletto
Sesto Quatrini; Elijah Moshinsky; Opera Australia; Michael Yeargan; Robert Bryan; Opera Australia Orchestra

BerlinRigoletto

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Verdi: Rigoletto
Domingo Hindoyan; Bartlett Sher; Staatsoper Berlin; Michael Yeargan; Catherine Zuber; Donald Holder; Staatskapelle Berlin

BerlinRigoletto

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Verdi: Rigoletto
Giacomo Sagripanti; Bartlett Sher; Staatsoper Berlin; Michael Yeargan; Catherine Zuber; Donald Holder; Staatskapelle Berlin

San FranciscoDas Rheingold

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Wagner: L'Or du Rhin (Das Rheingold)
Eun Sun Kim; Francesca Zambello; San Francisco Opera; Michael Yeargan; Catherine Zuber; Mark McCullough; San Francisco Opera Orchestra
Critiques récentesEn voir plus...

Porgy and Bess returns stronger than ever at the Met

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Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer. 

Energetic cast brightens up the Met’s tired-looking Barbiere

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Bartlett Sher’s 2006 production of Rossini’s tuneful masterpiece is showing its age, but a superb cast and conductor keep the comedy moving. 

Brilliantly enjoyable Barber of Seville in Sydney

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A thoroughly enjoyable and brilliantly performed version of Rossini's great comic opera at the Sydney Opera House. 

Fine music-making redeems dull production in COC’s Nabucco

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The Canadian Opera Company’s season opening production is musically excellent, but the dated, dull production adds little. 

Superb cast galvanizes the Met’s revival of Bartlett Sher’s Rigoletto

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This revival of the company’s 2019 Weimar-inspired staging of Verdi’s heartbreaking masterpiece is distinguished by stylish singing. 

Bernheim heads a powerhouse cast in the Met’s Hoffmann revival

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After a heavily promoted but underwhelming opening night, the company gets the new season back on track with plenty of star power in Offenbach’s final masterpiece.