Critiques récentesEn voir plus...
Netrebko and Eyvazov serve up Russian jewels in Salzburg gala
With duets from Pique Dame and Iolanta, along with set pieces from Eugene Onegin, this gala was packed with Russian passion.
Tatarnikov's all-Russian programme wows at the Lighthouse
In a programme guaranteed to draw the crowds the Bournemouth Symphony Orchestra were on sparkling form with dynamic playing too from pianist Boris Giltburg.
Rites of Spring: Tcherniakov embraces Rimsky
This Paris production of The Snow Maiden proves that director Dmitri Tcherniakov is today's greatest champion of Rimsky-Korsakov's operas.
Flimm's Hollywood Manon Lescaut is fleet-footed but effective
With a light-voiced cast and gentle updating, the Staatsoper's new Manon Lescaut makes a good case for Puccini's difficult breakthrough opera.
The Makropulos Case in San Francisco: it's about time
Despite the black and white palate, this Makropulos Case has plenty of color. Nadja Michael heads the cast with her fiery portrayal of Elina Makropulos, and conductor Mikahil Tatrnikov makes a triumphant San Francisco Opera debut in the pit.
Melodical treasures and romantic pathos of Rubinstein's The Demon
Full of melodic treasures hidden for ages, Anton Rubinstein's The Demon answers the most demanding expectations.
