Critiques récentesEn voir plus...
Stikhina and Clayton shine in DNO's uneven Maid of Orleans
Director Dmitri Tcherniakov and a talented cast do everything to make Tchaikovsky’s opera work in Amsterdam, but problematic elements persist.
Tausend Ideen für 1003 Liebschaften: Don Giovanni in Salzburg
Castelluccis ideen- und effektreiche Inszenierung bleibt auch in der „Neueinstudierung“ mit verändertem Orchester und Sängern beim Publikum umstritten.
Aimez-vous Rachmaninov? Alexander Melnikov at Musikfest Berlin
Russian pianist Alexander Melnikov is joined on stage at the Philharmonie by Alexander Rudin, Nadezhda Pavlova and Olga Pashchenko to give the audience a taste of Rachmaninov's chamber repertoire.
Bluebeard as psychothriller in Castellucci's mismatched double bill
Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler.
A hole in the heart: Salzburg Festival’s new Don Giovanni
The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving.
Die Kunst der Künstlichkeit: Currentzis in der Elbphilharmonie
Currentzis Überpräzisierung lässt beim Brahms-Requiem die Leidenschaft vermissen.
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AmsterdamThe Maid of OrleansNouvelle production
Tchaïkovski: The Maid of Orleans
Valentin Uryupin; Dmitri Tcherniakov; Dutch National Opera; Elena Zaytseva; Gleb Filshtinsky; Netherlands Philharmonic Orchestra