Live EventsEn voir plus...
DublinJonathan Biss plays Mozart Concerto No. 17
Haydn, Mozart
National Symphony Orchestra Ireland; Peter Whelan; Jonathan Biss
DublinGarcia plays Rodrigo’s Concierto de Aranjuez
Pépin, Rodrigo, Falla, Rimski-Korsakov, Ravel
National Symphony Orchestra Ireland; Julio García Vico; Thibaut Garcia
DublinEstonian Philharmonic Chamber Choir
Tüür, Kõrvits, Pärt
National Symphony Orchestra Ireland; Tõnu Kaljuste; Estonian Philharmonic Chamber Choir; Anja Lechner
DublinBomsori plays Korngold's Violin Concerto
Dukas, Korngold, Strauss R.
National Symphony Orchestra Ireland; Alexander Shelley; Bomsori Kim
DublinDaniel Müller-Schott plays Elgar's Cello Concerto
Montgomery, Elgar, Sibelius, Grieg
National Symphony Orchestra Ireland; Anna Rakitina; Daniel Müller-Schott
DublinBritten’s War Requiem
Britten: War Requiem, Op.66
National Symphony Orchestra Ireland; Anja Bihlmaier; Ailish Tynan; Laurence Kilsby; Joshua Hopkins; National Symphony Chorus Ireland
Critiques récentesEn voir plus...
Fireworks, octaves and Russian melancholy from John Wilson in Dublin
John Wilson brings energy, colour and drama to his Russian-dominated Dublin programme, while Emanuil Ivanov dazzles technically but leaves Tchaikovsky’s lyricism wanting.
Alexander Shelley’s Mahler 2 rises to the occasion in Dublin
Alexander Shelley launches his first season as Principal Guest Conductor with a powerful and ultimately transcendental account of Mahler’s Resurrection Symphony.
Peter Whelan and Carlos Ferreira ignite Brahms and Weber in Dublin
Peter Whelan drew rare urgency and transparency from Brahms, while Carlos Ferreira’s lyrical finesse elevated Weber beyond expectation.
Chopin and Franck reframed with elegance and insight in Dublin
In Dublin, Jean-Luc Tingaud and Louis Lortie bring clarity and purpose to two composers often ill at ease with the orchestra.
Paradise Deferred: Shelley takes on Schumann’s Paradies und die Peri
Alexander Shelley tackles Schumann’s sprawling Das Paradies und die Peri with conviction, shaping real momentum and drama, even if balance issues and Thomas Moore’s cloying libretto sometimes distract.
Sułkowska-Migoń’s Dublin programme crowned by a white-hot Scheherazade
Works by Boulanger and Shostakovich pay off handsomely before Rimsky-Korsakov’s Scheherazade, shaped with dynamic control and visceral energy, crowns a vividly played concert.
Articles récents
New Music Dublin: iconoclastic and eclectic
An introduction to the latest iteration of Dublin’s foremost contemporary music festival, the first overseen by artistic director John Harris.