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Street Scene à Monte-Carlo : une séduisante East Side Story
L'ouvrage lyrique méconnu de Kurt Weill bénéficie d'une distribution américaine inspirée, d'une mise en scène agréablement surprenante et d'un excellent Orchestre Philharmonique de Monte-Carlo.
Opera Philadelphia's La Voix humaine is a portrait of a lady on fire
Stripped of melodramatic excess, soprano Patricia Racette and director James Darrah craft a portrait of a desperate, lonely woman that is uncomfortably, thrillingly human.
La oscura Káťa Kabanová brilla en el Liceu de Barcelona
Una producción redonda de David Alden que tiene en Patricia Racette y la dirección musical del maestro Josep Pons sus mejores credenciales.
Ne quittez pas: A reimagined La Voix humaine in Philadelphia
Chaotic staging detracts from imaginative pairing of Poulenc's songs with his one-act, one-performer opera.
Glittering Candide: a celebration at Carnegie Hall
Candide is a witty satiric fable, intelligent, literary but not to a fault, and vastly entertaining. Created by a team of collaborators who fell out at different times in the work’s 52 year history – at one point or another, Lillian Hellman, Richard Wilbur, John Latouche, Dorothy Parker, Stephen Sondheim and, of course, composer Leonard Bernstein had a hand in it – it is unique in the operatic or
A vivid Street Scene at the Teatro Real
Weill's neglected "American Opera" opens in Madrid with a refurbished production by John Fulljames and a strong cast led by Patricia Racette.
