Bachtrack logo

Artiste: Philip Cobb

Critiques récentesEn voir plus...

Devilish downpour cannot dampen The Soldier's Tale at the EIF

Rarely has so distinguished a group been assembled to give this work live; it would have shone as a highlight even in a normal year of visiting foreign ensembles and performers.

Mumford, Mendelssohn and Mahler in Manchester

Joana Carneiro conducts the BBC Philharmonic in a lively Mendelssohn concerto and elegant Mahler Fifth.

Shostakovich, Berlioz and the Great American Songbook at the Barbican

Philip Cobb’s bluesy inflections turned the dear old Barbican Hall into the coolest nightspot in the capital; they might as well have lowered the lights and served cocktails.

Noseda and LSO brim with bite in Shostakovich 5

Fluidity and colour in Debussy's La Mer and hard-edged defiance in Shostakovich's Symphony no. 5 were combined with Philip Cobb's trumpet refined and bright in Haydn. 

Impish Shostakovich and epic Sibelius

Ahead of its US tour with Michael Tilson Thomas, the London Symphony Orchestra flexed its muscles in a display of orchestral strength on home turf in the Barbican. 

Unfussed Beauty from Bronfman

Shostakovich's first and second piano concertos were coupled with Tchaikovsky's third symphony in the exciting continuation of the LSO's complete Tchaikovsky cycle, under their principal conductor, Valery Gergiev.The concerto for trumpet, piano, and strings (Op. 35) was written in 1933, with Shostakovich playing the piano part at its première in the same year.