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SydneySemele
Haendel: Semele
Erin Helyard; Neil Armfield; Pinchgut Opera; Alexander Berlage; Orchestra of the Antipodes; Cantillation; Eugene Lynch
Critiques récentesEn voir plus...
Superb musical performances in Pinchgut’s Scarlatti rarity in Sydney
As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio?
Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen
A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney.
Julius Caesar – or some of it – from Pinchgut Opera
Handel's Giulio Cesare is heavily abridged in Sydney, but generally well-performed musically, albeit with a rather awkward staging by Neil Armfield.
Faithful to Handel: Pinchgut Opera performs Theodora
Pinchgut Opera presents magnificent music and a timeless ethical debate on faith versus sectarian difference.
A streamlined, dramatic Rinaldo from Pinchgut
Although abbreviated, Pinchgut Opera's production of Handel's Rinaldo makes a powerful dramatic impact and exemplifies high musical values, with excellent orchestral playing and consistently fine singing.
Baroque opera resurrected at Pinchgut: Legrenzi's Giustino
Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.
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SydneyWomen of the Pièta
Vivaldi, Galuppi
Orchestra of the Antipodes; Erin Helyard; Miriam Allan; Carla Blackwood; Dorée Dixon; Cantillation