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Artiste: Raymond Aceto

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San FranciscoDas Rheingold

Das Rheingold
Wagner: Or du Rhin, L' (Das Rheingold)
Sir Donald Runnicles; Francesca Zambello; San Francisco Opera; Michael Yeargan; Catherine Zuber; Mark McCullough; Greer Grimsley

San FranciscoDie Walküre

Die Walküre
Wagner: Walkyrie, La (Die Walküre)
Sir Donald Runnicles; Francesca Zambello; San Francisco Opera; Michael Yeargan; Catherine Zuber; Mark McCullough; Iréne Theorin

San FranciscoSiegfried

Siegfried
Wagner: Siegfried
Sir Donald Runnicles; Francesca Zambello; San Francisco Opera; Michael Yeargan; Catherine Zuber; Mark McCullough; Daniel Brenna
Critiques récentesEn voir plus...

Tchaikovsky’s tale of dark obsession sparkles with notable Met debuts

Igor Golovatenko (Yeletsky) and Lise Davidsen (Lise) © Ken Howard | Met Opera
The young soprano Lise Davidsen scored a successful debut at the Met, with impressive support by conductor Vasily Petrenko, also making a debut, led a memorable revival of Pique Dame

A gritty Siegfried at San Francisco Opera

Daniel Brenna (Siegfried) © Cory Weaver | San Francisco Opera
Both the technical effects and the singing impress in San Francisco Opera's dark Siegfried.

Valkyries parachute into San Francisco

Iréne Theorin (Brünnhilde) and her Valkyrie sisters © Cory Weaver | San Francisco Opera
San Francisco Opera's Die Walküre overcame a disappointing first act, winning the audience over with excellent singing and playing and impressive stage effects.

A strong start for San Francisco Opera's Ring

Falk Struckmann (Alberich) and Greer Grimsley (Wotan) © Cory Weaver | San Francisco Opera
At San Francisco Opera, conductor Donald Runnicles and a top-notch cast deliver a delicious Rheingold in Francesca Zambello's colorful production.

A colorful Turandot opens the San Francisco Opera season

Martina Serafin (Turandot) © Cory Weaver | San Francisco Opera
San Francisco Opera's Turandot is a feast for the eyes and ears, but the drama falls flat.

An Aida short on drama in San Francisco

San Francisco Opera's Aida features exciting role debuts from Leah Crocetto and Brian Jagde and a visually striking production, but a lack of good direction keeps it from being great music drama.