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Artiste: Robert Howarth

Critiques récentesEn voir plus...

Don't look back: Longborough's new L'Orfeo

Aoife Miskelly (Eurydice) and Peter Gijsbertsen (Orfeo) © Matthew Williams-Ellis
Olivia Fuchs directs Monteverdi's early opera in a sparse staging with a consistently fine cast. 

Tension accumulates in Handel’s Tamerlano at The Grange Festival

Some exceptional singing intermittently enlivens Daniel Slater's production which, dramatically and emotionally, takes time to ignite.   

Full-fat festivity: the BSO's Baroque Christmas

Corelli and a triple-decker sandwich on the south coast, with three arias from Handel’s Messiah separated by two concertos from Vivaldi’s Four Seasons.

A fetching, inventive Magic Flute – with a dark side

Sinister aspects are stressed in Mozart's The Magic Flute at Leeds Grand Theatre directed by James Brining and conducted by Robert Howarth.

Agrippina triumphs at The Grange Festival

Anna Bonitatibus (Agrippina) © Robert Workman
A resounding success at its 1709 première, Handel’s Agrippina gripped the ear and dazzled the eye at the Grange Festival in a hugely entertaining and powerful performance.

AAM tackle Monteverdi

Sublime orchestral playing and stellar soloists don't quite make up for a lacklustre performance by the Academy's choir in Monteverdi's moving work
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AlresfordAgrippina

Anna Bonitatibus (Agrippina) © Robert Workman
Haendel: Agrippina
Robert Howarth; Walter Sutcliffe; The Grange Festival; Jon Bausor; Academy of Ancient Music; Anna Bonitatibus; Raffaele Pe