Critiques récentesEn voir plus...
Sarasota Ballet: British style, from Florida, arrives in New York
Triumphant, unshowy, virtuosic. Sarasota Ballet brings a trio of 20th century British choreographers to New York.
The Sarasota Ballet's Ashton Gala: keeping his ballets very much alive
Bringing Ashton from Florida to The Royal Opera House sounds like “coals to Newcastle” but I think that “discovering buried treasure” might be a more appropriate idiom.
The Sarasota Ballet: a second programme to relish
The Sarasota Ballet continues to make a deep impression with its second programme of Ashton ballets, this time including a selection of divertissements and excerpts from longer ballets.
The Sarasota Ballet: a boldly revelatory first visit to the UK
Anyone who is interested in the Ashton repertoire should go and see this marvellous reinterpretation of his repertoire from the excellent Sarasota Ballet.
Sarasota Ballet's Conflicted Beauty: exemplifying excellence
An excellent and diverse triple bill with an Ashton gem at its centre.
Keepers of the Ashton flame in the US: Sarasota Ballet at The Joyce
Not every Ashton work is a masterpiece, but Sarasota Ballet presents these Ashton works with such love and care, it ensures that even if the ballets won’t “keep”, they aren’t forgotten.
Articles récents
Living The Dream: paying homage to Sir Frederick Ashton’s masterpiece
The original cast of principals – and current interpreters – discuss the joys of working with the late choreographer Sir Frederick Ashton, and the great legacy he has left to today’s dancers.