Critiques récentesEn voir plus...
Scottish Ballet's Mary, Queen of Scots: some riveting performances

Sophie Laplane's Mary, Queen of Scots has a lot going for it, visually stunning with a pleasing score, but simplistic and overly rapid storytelling brings it to an underwhelming conclusion.
Scottish Ballet’s The Snow Queen in Edinburgh

Scottish Ballet’s third outing of Christopher Hampson’s The Snow Queen sees some modifications to the story and it’s more spectacular than ever.
Scottish Ballet's Nutcracker: brimming with Christmas magic

In the third revival since 2014, Peter Darrell's 1973 Nutcracker still has all the right ingredients to send the audience home feeling joyous.
Scottish Ballet's A Streetcar Named Desire: sensual but tragic

Annabelle Lopez Ochoa's A Streetcar Named Desire for Scottish Ballet fires on all cylinders. Compelling drama and outstanding dancing make this a must-see.
Scottish Ballet's Cinders! confirms Hampson is a savvy theatre-maker

Christopher Hampson's reinvented version of his own original Cinderella, Cinders!, is a triumph of theatre, whether the central character is danced by a man or a woman.
Scottish Ballet's Coppélia: live filming adds an extra dimension

The integration of an onstage camera shooting live action film is not new, but Jess and Morgs are perfecting the art of adding this extra dimension to live performance.
