Critiques récentesEn voir plus...
A conversation, a conceit and contested territory at Fall for Dance
Flamenco, tap and contemporary from Spain, the U.K. and Israel on offer in Program 3 at Fall for Dance yielded a provocative work, a display of virtuosity and the inevitable clunker.
The McRae/Vassilev Project: a virtuosic display like no other
Absolutely first rate production with outstanding performances. The McRae/Vassilev Project was a masterclass in resilience and major talent.
Ballet Nights makes an impressive and unforgettable Scottish debut
Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.
Wheeldon's Alice's Adventures in Wonderland dazzles again in Tokyo
Christopher Wheeldon’s Alice’s Adventures in Wonderland returned to the National Ballet of Japan, a marvelous production that amply displays the many talents of the company.
Wheeldon’s Alice is an attractive but disjointed spectacular
Last seen in 2017, Christopher Wheeldon’s take on the classic Lewis Carroll novel returns to the Royal Opera House stage, or rather Royal Ballet and Opera as we must now call it.
Ballet Nights 006: a potent mix of diverse pieces works its magic
Jamiel Devernay-Laurence's Ballet Nights series is growing rapidly in appeal, just one year after its launch. With ever more ambitious projects afoot and a packed Cadogan Hall, it's worth seeing.