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Shipwrecked: Donizetti’s Il furioso comes a cropper in Bergamo
Manuel Renga’s sensitive framing device sets up a sympathetic production of a problematic opera, but is scuppered by the central vocal performance.
A modern makeover for Donizetti’s Zoraida di Granata
Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet.