Critiques récentesEn voir plus...
Opera Australia’s Eugene Onegin shines musically

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.
L’incoronazione di Poppea vividly brought to life at the Grange

Terrific music making with a light directorial touch brings mixed results to Monteverdi's 1643 masterpiece.
In need of salvation: Tito at the Wiener Staatsoper

A strong cast led by an energetic Pablo Heras-Casado struggles in the revival of Jürgen Flimm's ill-conceived 2012 production.
Hector Berlioz‘ Les Troyens erobern Wien
Ein monumentaler Opernabend mit Joyce DiDonato, den man wohl nicht so schnell vergessen wird.
A gripping, dark, moving Rigoletto from NIO
Since their creation in 2010, NIO has brought unconventional opera productions to Northern Ireland. Their Rigoletto is bold, emotional and engaging with a stellar cast of local and international talent.
Jürgen Flimm’s La clemenza di Tito loses the plot
Jürgen Flimm takes so many liberties with Mozart’s La clemenza it should be re-titled “Tito’s Lament”.
