Bachtrack logo

Artiste: Yoshito Kinoshita

Live EventsEn voir plus...

TokyoDance to the Future 2026

© No credit
compositeurs divers
Dancers of the National Ballet of Japan; Yoshito Kinoshita; National Ballet of Japan; Tokyo Philharmonic Orchestra
Critiques récentesEn voir plus...

National Ballet of Japan's revival of Giselle: a dramatic return

Ayako Ono as Giselle and Yudai Fukuoka as Albrecht in Giselle © Kiyonori Hasegawa
National Ballet of Japan has revived their production of Giselle, ahead of their tour to the Royal Opera House in London, replicating the triumphant success it had in 2022.

Ayako Ono dazzles in National Ballet of Japan’s Nutcracker

Ayako Ono as Clara and Yudai Fukuoka as Nutcracker in Eagling's The Nutcracker and the Mouse King © Kiyonori Hasegawa
National Ballet of Japan’s Nutcracker by Wayne Eagling is a family favourite, with lead dancers Ayako Ono and Yudai Fukuoka giving a flawless performance as the leads. 

Don Quixote opens the season with a new principal ballerina in Japan

Saho Shibayama as Kitri and Shun Izawa as Basilio with National Ballet of Japan in Don Quixote © Takashi Shikama
National Ballet of Japan's 2023/24 season opened to a very appreciative audience with Alexei Fadeyechev’s Don Quixote

National Ballet of Japan thrills in Tuckett's The Tragedy of Macbeth

Yui Yonezawa as Lady Macbeth in Will Tuckett's The Tragedy of Macbeth © Takashi Shikama
Two adaptations of well-known Shakespeare plays make wonderful additions to the repertoire of the National Ballet of Japan.

Wheeldon's Alice's Adventures in Wonderland dazzles in Tokyo

Wheeldon’s Alice’s Adventures in Wonderland proves to be one of the greatest recent successes at the National Ballet of Japan, promising a feast of delights, an enjoyable night at the ballet for both children and adults. 

National Ballet of Japan's Cinderella returns successfully

A much beloved production with magical charm, National Ballet of Japan's Cinderella, choreographed by Fredrick Ashton, is successfully performed to a full house audience, thanks to coaching by Miyako Yoshida who performed the role in her days at The Royal Ballet.