Salle: Dutch National Opera and Ballet, Amsterdam

Dans un spectacle mêlant des scènes d'opéras de Donizetti, l'Orchestre de Chambre des Pays-Bas brille sous la direction d'Enrique Mazzola avec un duo Marina Rebeka – Ismael Jordi au sommet de son art.

Dutch National Ballet give committed performances in Helen Pickett’s latest literary adaptation in a full-length Lady Macbeth.

Two world premieres at Dutch National Opera speak to what have traditionally been two separate audiences: the audience within the opera house and the one without.

Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation. 

Johann Strauss II's Die Fledermaus, was never meant to challenge grand opera for profundity and Barrie Kosky pokes fun at Viennese high society in his riotous staging. 

The Ukrainian director's “revisioning” of Beethoven's only opera plunges it into an incoherent underworld in Amsterdam.

Barrie Kosky brings his trio of Puccini productions to a close with another triptych: Il trittico in a triumphant staging.