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Salle: Kiri Te Kanawa Theatre, Auckland

Fichier de données
AdresseAotea Centre, 50 Mayoral Drive, Auckland CBD
Auckland
1010
Nouvelle-Zélande
Google maps36° 51' 6.918" S 174° 45' 43.470" E
Critiques récentesEn voir plus...

The White Pearl: NZ Opera reframes Bizet’s Les Pêcheurs de Perles

Filipe Manu (Nadir) and Madison Nonoa (Leïla) © Andi Crown
In Auckland, heard in something close to the form Bizet actually conceived, The Pearl Fishers proves it has plenty of lustre of its own.

Into the labyrinth: opera and community in The Monster in the Maze

Ipu Laga'aia (Theseus) © Emma Brittenden
Director Anapela Polata’ivao handles her mixed forces of amateurs and professionals with seamless assurance, the crowds’ movements across the stage showing both clarity and intent. 

Stunning direction elevates New Zealand Opera's La bohème

Hadleigh Adams (Colline), Ji-Min Park (Rodolfo) and Elena Perroni (Mimì) © Andi Crown
New Zealand Opera's new production impresses with its stunning set design and art direction, and its restrained emotional tone. 

Fine singing but messy staging: Le Comte Ory at New Zealand Opera

Emma Pearson (Adele) © Andi Crown
Director Simon Phillips takes the opportunity to reshape the setting of Rossini's comic opera to modern-day New Zealand. 

A masterful Così fan tutte in Auckland

Jonathan Abernethy, Hanna Hipp, Emma Pearson and Julien Van Mellaerts © Jinki Cambronero
Lindy Hume directs a refreshingly uncomplicated new staging for New Zealand Opera, supported by fine musical performances.

A refreshing new Nozze di Figaro from New Zealand Opera

Lindy Hume directs a new production of Mozart's masterpiece which proves a constant delight.

Kosky's mesmerising Magic Flute in Auckland

The Queen of the Night appeared as a malevolent giant spider, complete with exoskeleton, threatening Tamino with her stabbing limbs and summoning hordes of smaller spiders to writhe over Pamina when the latter hesitated to commit to Sarastro's murder.

Talented young cast shines in New Zealand Opera's La bohème

It was hard not to be drawn in by the romance and tragedy as presented by such a sincere, credible and vocally talented young cast and a conductor with such strong identification with the idiom.