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Salle: National Concert Hall, Dublin

Fichier de données
AdresseEarlsfort Terrace, Saint Kevin's
Dublin
D02 N527
Irlande
ContainsJohn Field Room
Kevin Barry Recital Room
Main Stage
Room 103
The Studio
Google maps53° 20' 4.751" N 6° 15' 31.663" W
novembre 2026
lun.mar.mer.jeu.ven.sam.dim.
26272829303101
02030405060708
09101112131415
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30010203040506
Soirée
Matinée
Événements à venirEn voir plus...

DublinBomsori plays Korngold's Violin Concerto

National Concert Hall, Dublin
Dukas, Korngold, Strauss R.
National Symphony Orchestra Ireland; Alexander Shelley; Bomsori Kim

DublinCamerata Ireland & Barry Douglas Play Beethoven

National Concert Hall, Dublin
Beethoven
Camerata Ireland; Barry Douglas

DublinMari Samuelsen: Philip Glass & John Williams

© No credit
Glass, Williams
RTÉ Concert Orchestra; Patrik Ringborg; Mari Samuelsen

DublinDaniel Müller-Schott plays Elgar's Cello Concerto

National Concert Hall, Dublin
Montgomery, Elgar, Sibelius, Grieg
National Symphony Orchestra Ireland; Anna Rakitina; Daniel Müller-Schott

DublinKronos Quartet - Steve Reich at 90

National Concert Hall, Dublin
Reich
Kronos Quartet; David Harrington; Gabriela Diaz; Ayane Kozasa

DublinCamerata RCO and Matthias Goerne - Winterreise

National Concert Hall, Dublin
Schubert: Winterreise (Voyage d'hiver, W. Müller), D.911
Members of the Royal Concertgebouw Orchestra; Matthias Goerne

DublinBritten’s War Requiem

National Concert Hall, Dublin
Britten: War Requiem, Op.66
National Symphony Orchestra Ireland; Anja Bihlmaier; Ailish Tynan; Laurence Kilsby; Joshua Hopkins; National Symphony Chorus Ireland

DublinSunday Miscellany Celebrates Christmas with the RTÉ Concert Orchestra

© Tony Kinlan
RTÉ Concert Orchestra; Gavin Maloney; Paul Howard; John Toal; NN
Critiques récentesEn voir plus...

Bach Collegium Japan reveals the Brandenburg Concertos’ rich variety

Masato Suzuki © Marco Borggreve
Bach Collegium Japan brings rhythmic vitality and instrumental colour to the six Brandenburg Concertos in Dublin, with thrilling harpsichord virtuosity tempered by occasional intonation difficulties.

Fireworks, octaves and Russian melancholy from John Wilson in Dublin

Emanuil Ivanov and the National Symphony Orchestra Ireland © Brownes Photography

John Wilson brings energy, colour and drama to his Russian-dominated Dublin programme, while Emanuil Ivanov dazzles technically but leaves Tchaikovsky’s lyricism wanting.

Alexander Shelley’s Mahler 2 rises to the occasion in Dublin

Alexander Shelley © Andres Poveda
Alexander Shelley launches his first season as Principal Guest Conductor with a powerful and ultimately transcendental account of Mahler’s Resurrection Symphony.

Sir Simon Rattle and the OAE make Berlioz sound radically new

Sir Simon Rattle © Mark Stedman for National Concert Hall Ireland
Simon Rattle and the Orchestra of the Age of Enlightenment deliver a revelatory all-Berlioz programme, crowned by a sensational Symphonie Fantastique of rare clarity, colour and imagination.

Hilary Hahn’s French odyssey of refinement and fire in Dublin

Hilary Hahn and Tom Poster © Kerrie Sheedy | National Concert Hall
Two technical mishaps punctuate the evening, but Hilary Hahn maintains poise throughout a French programme crowned by a finely judged, deeply expressive performance of Fauré. 

Peter Whelan and Carlos Ferreira ignite Brahms and Weber in Dublin

Carlos Ferreira, Peter Whelan and the National Symphony Orchestra Ireland © Andres Poveda
Peter Whelan drew rare urgency and transparency from Brahms, while Carlos Ferreira’s lyrical finesse elevated Weber beyond expectation.

Chopin and Franck reframed with elegance and insight in Dublin

Jean-Luc Tingaud © Jean-Baptiste Millot
In Dublin, Jean-Luc Tingaud and Louis Lortie bring clarity and purpose to two composers often ill at ease with the orchestra.

Paradise Deferred: Shelley takes on Schumann’s Paradies und die Peri

Nardus Williams and Alexander Shelley © Mark Stedman
Alexander Shelley tackles Schumann’s sprawling Das Paradies und die Peri with conviction, shaping real momentum and drama, even if balance issues and Thomas Moore’s cloying libretto sometimes distract.