Bachtrack logo

Salle: St Mary's Parish Church, Haddington

Fichier de données
AdresseHaddington
Scotland
Royaume-uni
Google maps55° 57' 19.420" N 2° 47' 1.845" W
septembre 2026
lun.mar.mer.jeu.ven.sam.dim.
31010203040506
07080910111213
14151617181920
21222324252627
28293001020304
05060708091011
Soirée
Matinée
Événements à venirEn voir plus...

HaddingtonMozart’s Così fan tutteVersion de concert

© No credit
Mozart: Così fan tutte
Dinis Sousa; Timothy Burke; Royal Northern Sinfonia; Chorus of Royal Northern Sinfonia; Christina Gansch
Critiques récentesEn voir plus...

Punchy Mozart from Jeremy Denk and the RNS

Jeremy Denk © Shervin Lainez
The Lammermuir Festival's opening weekend culminates in a pair of Mozart piano concertos, with an agile and invigorating take on Britten's Frank Bridge Variations.

Heft and delicacy: Philharmonia makes Lammermuir Festival debut

Steven Osborne and the Philharmonia Orchestra © Stuart Armitt
Bringing the Philharmonia is the most ambitious thing the Lammermuir Festival has ever done, yet it felt like a natural next step for a festival that's growing in stature.

I Fagiolini make their Lammermuir Festival debut

Members of I Fagiolini © Sally Anderson
In their Lammermuir Festival debut, I Fagiolini strike spiritual and musical gold with the Monteverdi Vespers... at least in the first half.

Phantasm's The Art of Fugue

Phantasm in an intimate, late night Art of Fugue for consort of viols. 

SCO opens the sixth Lammermuir Festival

Tender Sibelius, Mozart brimming with personality and heroic Beethoven in the opening concert of the sixth Lammermuir Fetival. 

Lammermuir Festival: Tenebrae's Russian treasures

A deeply moving evening of Russian choral treasures from Nigel Short's Tenebrae.

Duruflé Requiem at the Lammermuir Festival

National Youth Choir of Scotland Chamber Choir and Lammermuir Festival Players delight in an imaginative programme of French and Estonian sacred music.

Lammermuir Festival: Dunedin Consort in Mozart and C.P.E. Bach

Since reading Stravinsky’s assertion (in Poetics of Music) that “The more constraint one imposes, the more one frees oneself from the chains that shackle the spirit”, this paradox has fascinated me.