Oeuvre: Be Like Water

Ivan Talijančić reviews Robert Wilson's production of The Life and Death of Marina Abramović at New York's Park Avenue Armory

Every performer knows that on a bare stage there is no place to hide: every movement and word gives away one’s story and identity. As children we believe we could be whoever we want. We have no awareness of what cultural identities are and we are mostly unaware of our skin colour.